Navajo Sand Paintings Franc Johnson Newcomb
Hosteen Klah

Navajo Leader Hosteen Klah

The Body of Knowledge
 
 

Franc Newcomb Sand Paintings and Papers

Recognized within academic circles as a scholar and writer on Navajo religious ceremonials, Franc Johnson Newcomb’s documentation of Navajo art and culture—writing, lecturing, and the reproduction of ritual sandpaintings onto a two-dimensional painted surface—made a significant impact on Southwestern studies. Her work, abeted by her friendship with Navajo leader Hosteen Klah, has been instrumental to the preservation of Navajo culture.

 

The images showcased in this website, reflect 72% of the known body of knowledge of Navajo Sand Paintings. The collections are arranged by ceremony to provide an easy to follow guide to this wonderful collection.

 

The sandpaintings were gifted to the "Dine", the Navajo People, and are held at the Navajo Community college in Tsaile, Arizona, under the direction of Harry Walters, who was instrumental in bringing this collection to the college.

 

The drawings contained on this site comprise one of the most important national art treasures in existence, representing the basic spirituality of the American Indian as recorded by Navajo medicine men.

 

This internet publication is the culmination of 25 years of study and the fulfillment of a promise to Lynette Newcomb Wilson and Priscilla Newcomb Thompson to conserve the material, find a proper home for it, and give Franc Newcomb the recognition she deserves for her amazing life's work. It is hoped that the world will better understand and appreciate the special nature of the spirituality of the Navajo people as expressed in their ceremonies.

 

The information and images contained on this site are provided courtesy of The Morton H. Sachs Collection of Franc Newcomb Sand Paintings and Papers.

About The Collection

Franc Johnson Newcomb

Franc Newcomb
Franc Newcomb's drawings and paintings are reproductions of ceremonial symbols, human, animal, plant, and cosmological images related to creation stories and legends.

 

Composed of tiny sketches and ranging to large paintings, her collection contains male and female branches and sub-groups from twenty-four chantways.
1930 Navajo Photograph
1930 Navajo Photograph
1930 Navajo Photograph
1930 Navajo Photograph

Credits:

  • The inspiration to conserve this history came from J.J. Brody, past director of the Maxwell Museum of Anthropology at the University of New Mexico.
     

  • Carolyn Olin devoted 24 years to transcribing and cataloging Franc Johnson Newcomb's notes.
     

  • Patricia Fogelman Lange who contributed greatly to the conservation of this information and the publishing of its history in the University of New Mexico Press.

Thanks:

  • Director Jonathan Batkin of the Wheelwright Museum of the American Indian - Sante Fe, New Mexico; and Former Director Bruce Bernstein (now director of the National American Indian Museum) of the Museum of Indian Arts & Culture Laboratory of Anthropology - Sante Fe, New Mexico; for their support and vision of conserving this most important American art treasure and their patience and help in completing this project.
     

  • Special thanks to the daughters of Franc Newcomb Johnson - the late Lynette Newcomb Wilson and Priscilla Newcomb Thompson - who both attended many ceremonies and sold their mother's collection to Morton H. Sachs.  Priscilla is still living in Santa Fe, New Mexico and has a vital interest in her mother's work.